More than three hundred letters brought together for the first time, unfinished memoirs, notebooks and press clippings annotated by her hand: Maria Callas — Letters & Memoirs brings together in six hundred and eight pages everything that the diva had…

More than three hundred letters gathered for the first time, unfinished memoirs, notebooks and press clippings annotated in her hand: Maria Callas — Letters & Memoirs brings together in six hundred and eight pages everything that the diva ended up committing to paper, and that Tom Volf spent five years finding and then translating.
The project responds to a wish expressed by Maria Callas herself, several times, in this correspondence: “One day I will write my autobiography; I would like to write it myself to make things clear. There have been so many lies told about me. » The book gives him this autobiography, in fragments, in her own words.
The entire profit from sales is donated to the Maria Callas Endowment Fund.
Thanks to this exceptional work, which brings together more than 350 unpublished letters and her unfinished memoirs, Maria Callas' wish has finally become a reality. The moving and fascinating self-portrait of the greatest voice of the 20th century.


The work opens with a letter written by Tom Volf to Maria Callas — “Dear Mrs. Callas, dear Maria” — which explains the approach: stand as close as possible to the woman, let the voice be heard behind the voice.
The letters are organized chronologically, from childhood in New York to the last years in Paris, and interspersed with these unfinished memoirs that Maria Callas had begun to dictate without ever concluding them. The edition also reproduces previously inaccessible documents: pages from school albums, telegrams, contracts, private photographs.
The epilogue, which briefly relates the funeral at the Orthodox church on rue Georges-Bizet — “that day, there was no crowd” — closes the book with an article by music critic Teodoro Celli which followed the “Rome scandal” of 1958, a text that the diva often quoted.
Six hundred and eight pages in which Maria's face is outlined, clearer than in all the biographies that preceded it.
Buy : Albin Michel · FNAC · Amazon
Beyond the 350+ unpublished letters covering three decades (1946–1977), the work reveals for the first time two unfinished attempts at autobiography :
“Tom Volf gives us a glimpse of the Maria behind the Callas, the human behind the icon – from combat to detachment, from demonstration to confession. »
L’Avant-Scène Opéra · 30 October 2019
Translated into 4 languages
Originally edited by Albin Michel in 30 October 2019, Maria Callas — Letters & Memoirs has since been translated into Italian, Spanish, Greek and Russian — by the largest publishing houses in each country.

“io, Maria — Lettere e memorie inedite”, edited by Tom Volf — Rizzoli (Mondadori Libri). Sober cream cover with Callas signature in script + portrait in baroque frame. Translation by Gustavo Visentini. ISBN 978-88-17-14404-9 · pocket reissue BUR ISBN 978-88-17-18402-1.

“Cartas y memorias”, edited by Tom Volf — Akal Biografías. Cover illustrated by the artist Fernando Vicente : painted portrait of Callas in a black dress in front of a crimson red stage curtain. Publication synchronized with the representation at Festival Castell de Peralada with Monica Bellucci (July 15, 2022).

“Μαρία Κάλλας: Γράμματα και αναμνήσεις” —Ekdoseis Patakis. French → Greek translation by Andreas Pappas. Dark cover: B&W Callas portrait pencil in hand, letters in background. Official presentation to Megaron Athens Concert Hall on November 4, 2020, in connection with the screening of the film Maria by Callas at the Danaos cinema.

“Maria Callas: Дневники. Письма » — Издательство AST. Burgundy hardcover: studio portrait in warm lights, bright pink title. Unpublished preface by Sergey Nikolaevich. Distributed throughout the CIS.

A disturbing and essential testimony for any lover of the legendary soprano.
The woman's face is outlined in filigree, better than in all the works we have read so far.